Suzanne Plomp, Leiden 1994
Education
2015 - 2019
Bachelor Fine Arts,
Royal Academy of Art, The Hague, NL
2014 - 2015
Preparatory Year, Royal Academy of Art, The Hague, NL
Bachelor Fine Arts, Royal Academy of Art, The Hague, NL
2014 - 2015
Preparatory Year, Royal Academy of Art, The Hague, NL
Solo exhibition
2020
T1FF4N7, Pulchri, The Hague, NL
Duo exhibition
2021
AMETHYST - Gabriela Acha, Pulchri, The Hague, NL
Group exhibitions
2020
Young Talent 2019, Artphy, Onstwedde, NL
2019
Graduation Festival, Royal Academy of Art, The Hague, NL
2018
A Foreign Affair, Billytown, The Hague, NL
Bouncing Off, Billytown, The Hague, NL
Deepfloor, Royal Academy of Art, The Hague, NL
2017
I Like Performance and Performance Likes Me, Galerie Frank Taal, Rotterdam, NL
Publications/zines:
2021
Wobby#24, Déjà Vu
2019
The Blue of Mars
My work represents unknown forms of life and processes of growth. My work is autobiographic with a reminiscence of bodies and organs. I explore facets of kinship, where the balance of power is brought to light: both the vulnerability and power from one creature to another. My work arises by playing with contradictions, such as attraction and repulsion. Bright, contrasting fluorescent colours layered in materials allow me to investigate that duality. Where these colours attract the eye, the organic shapes and the swirling tactile networks of lines invite in-depth observation. Within their alien ambiance, the works are containers of something that has left or something that is yet to come - or nothing at all.
My work represents unknown forms of life and processes of growth. My work is autobiographic with a reminiscence of bodies and organs. I explore facets of kinship, where the balance of power is brought to light: both the vulnerability and power from one creature to another. My work arises by playing with contradictions, such as attraction and repulsion. Bright, contrasting fluorescent colours layered in materials allow me to investigate that duality. Where these colours attract the eye, the organic shapes and the swirling tactile networks of lines invite in-depth observation. Within their alien ambiance, the works are containers of something that has left or something that is yet to come - or nothing at all.